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Big video game week for me while simultaneously being a terrible week for tv that I would normally watch. Since I did most of my watching at Tiffany’s…well…I think you can guess what kind of tv I was subjected to.
Jeff, Who Lives At Home – It’s my first Duplass brothers film and I kind of dug it. Not amazing by any stretch, but a breezy, fun way to spend about 77 minutes. It’s one of those coincidence/fate type of films, but it’s got such a pure heart about the whole thing that it just feels right. Like the Kevin basketball game stuff, I mean, that was just beautiful as Jason Segel and Evan Ross connected on a level that was beyond words. They were a team unit and they dominated that game, which made the betrayal that much more heartbreaking. Ed Helms did a fantastic job as an asshole, but I gotta admit that the Susan Sarandon parts fell flat for me. Just not that interesting at all.
Friends – Killed some time watching old Friends episodes. “How old?” you ask. We’re talking S1, Rachel meets that Italian guy who she dates for a while old. Pre-Ross and Rachel make out in the rain old. That old. The show still has its charm, but it’s weird to see them in a state where they don’t all know exactly who they are yet.
Fashion Police – Guys, straight talk express here. Ryan Lochte was on Fashion Police this week. That guy is the biggest idiot I’ve ever seen. I just wanted to laugh every time he opened his dumb mouth, but not because he was funny, no, because I was amazed that a person could come off so poorly on television.
Pretty Little Liars – This show is about some person who murders these girls’ friends? I don’t really understand what’s going on here. It’s like Veronica Mars a bit, but with a larger group of Veronicas who are all rich and impossibly good looking. They’re all in high school, I guess, but one of them lives with her boyfriend in an apartment? I dunno. I don’t really get it. It was ok, but I’m not about to break out the box set or anything.
Breaking Bad – The show got a little slow when they were unable to cook, but now that they’re moving product again and we’ve got the promise of having to introduce some muscle to the operation…I’m digging it, man. I love how cold and unconcerned Walter acts toward Jesse. Dude is a total asshole to him. Also loved how fucked up the meth heads who robbed Skinny Pete looked. Hey, guys, that’s the true face of meth. It’s not pretty.
Top Chef Masters – Felt proud of myself for properly guessing that Lorena was Venezuelan. Other than that…it’s just not as exciting to see professional chefs do their professions for charity. The stakes are too low.
Drop Dead Diva – This show is still pretty ridiculous with its take on the law, not to mention that I’m constantly distracted by how much not-Judy Greer looks like Judy Greer to me. Highlight of the episode HAS to be Chef Ben-Israel who was delightfully bizarre, per usual.
I guess I didn’t do much music listening this week, but…BUT I had Alex Cuba’s “En Armonia” stuck in my head all weekend. Here’s a performance at Stubb’s. The conversation is kind of annoying (and there is some clipping), but it’s still a fantastic song.
Does the color reprint of Scott Pilgrim count?
Persona 4 Arena – I do really like the way that the story mode works and is progressing, but I’m more annoyed with the way that they’re all “To be continued…” until you unlock certain stories. I’m almost there though, guys. Just a little longer and I’ll start clearing stories like crazy. The fighting game itself is pretty tough, but the story is great.
Spelunky – Not as much time this week as I should have played, but I’ve been rushing too much and not making it as far as I should. Still haven’t beaten it from the mines because I’m focusing on the City of Gold too much.
Metal Gear Solid 4 – Had a rather unfortunate mishap where I accidentally saved after getting an alert on my save file. It’s my fault for only having one save file. Now I’ve got plenty to revert to and I’m back to Act II in about the same position. I’ll keep pushing forward on this trophy mode for an hour or so each night.
The Old Republic – Mini-event that was kind of “meh”, but still net me a bowcaster. Just release HK already, guys.
Counter-Strike: Global Offensive – The beta opened up to everyone who pre-ordered on Tuesday. Pretty solid game. Guess what, guys? It’s CS. The addition of the gun game mode is pretty nice, I dig that, but the meat and potatoes remains bomb planting/defusal and hostage taking/rescuing. Love it. Best pure shooter out there.
Team Fortress 2 – Most fun shooter probably goes to TF2 though. Mann vs. Machine…it’s tough, but it’s also really cool to have a completely different paradigm and completely new goals to work toward. If your team composition/teammates are kind of terrible, well this is gonna be a giant ball of aggravation and stress, but it’s otherwise lots of fun. I just want to play Scout all match though. Let me do that, please!
Driver: San Francisco – Only played like 20 mins of this. Not too bad, but man do those muscle cars have terrible understeer. Or is it oversteer? Guys, I don’t know anything about cars or driving.
Annabel Taylor Hall is quite lovely. (Photo by through-pan*flashing)
I was back in Ithaca for Yin and Lee’s awesome wedding. Being in the wedding kept me from taking too many photos on my own, but I’ll put up what I’ve got later. I had a fantastic time back in Ithaca and I wish them both the absolute best.
Too busy with weddings!
The League – Always raunchy and hilarious. I really enjoyed the high school reunion episode when it aired and I liked it yet again. Excited for the return of this show.
Top Gear – I selected the ever popular carboat episode for Duffy’s enjoyment. She did, in fact, enjoy it.
Google Music has (had?) a huge sale celebrating the 50th anniversary of the phonograph. Go get some cheap albums!
Not really, no. I’ll sure I’ll pick something up this week to replace 1Q84.
Persona 4 Arena – 20 minutes of text, two minutes of fighting, if that, yet I love it. Lots of fun to see where these characters are and the fighting system is actually pretty neat. So far I’ve beaten Yukiko and Charlie’s (Yu Narukami for those who didn’t watch the Endurance Run) first stories. Can’t wait to get to the rest of the characters to find out exactly what’s going on.
Spelunky – Still just trying to master the game and eventually get to hell. Always tons of fun to mess around and die a bunch.
Metal Gear Solid 4 – Konami added trophies in like years later, but it’s motivated me to go back and get my stealth action on. Lots of fun so far. I think I got like three or four trophies already.
1. The fact or action of becoming a god; deification
2. Glorification, exaltation; crediting someone with extraordinary power or status.
Do you know who Tim Schafer is?
When I still lived at home, my dad used to ask me, “When are you gonna grow up and stop playing video games?” He tells my mother that he’s sure I’m addicted to the medium. It’s true that I spend the vast majority of my free time playing games. I can name developers, producers, writers, designers, and even composers for games from my favorite series of games. This vast information age enables me to know everything about a game, down to its minutia, just by checking an online database. If there’s not enough information there, I can almost guarantee there are five or six fansites devoted to uncovering every last detail. It must be daunting for developers nowadays to produce in this environment.
My dad says these things, but I’m not sure he understands that this is just the nature of hobbies nowadays. Not too long ago we could almost justifiably claim an unhealthy obsession with the works of Deepak Chopra and transcendental meditation. Eric’s life revolves around photography nowadays almost as much as mine involves interactive entertainment. This is what hobbies are like now. Think of an obscure hobby, like stamp collecting, and I’ll guarantee you that someone out there spends a couple of hours a week producing a podcast for tons of people to listen to.
The point is, there’s a growing number of people who actually know just who is behind the games they play, a huge contrast to the early Famicom days.
It’s not exactly the fault of the developers that we had no idea who was behind our games back in the day. Standard process for Famicom-era games was to credit oneself via a pseudonym to prevent talent poaching. How would you be able to tell that seeing Gondamin credited as a composer meant you were listening to Junko Tamiya’s music? Famed Mega Man creator, Keiji Inafune still goes by INAFKING in some games.
Now that games are actually credited properly, it’s not uncommon for people to know that Bioshock was the brainchild of Ken Levine or that the wackiness of Metal Gear comes from Hideo Kojima. Nintendo actually keeps Shigeru Miyamoto’s hobbies on the down low because they don’t want people to speculate on what ideas his brilliant mind will come up with next. We’re talking a complete 180° shift here.
Eddie Riggs: “Ever feel like you were born in the wrong time – like you should have been born earlier, when the music was… real?”
Roadie: “Like the seventies?”
Eddie: “No. Earlier… like the early seventies.”
Embedded within all enthusiast cultures is the cachet that comes with either “being there first” or experiencing a unique experience that the ignorant masses overlooked. Go to Brooklyn, grab the first guy with crazy hair and skinny jeans you can find (protip: you won’t have a hard time finding one), and ask him what his favorite bands are. Chances are, unless you’re from the Brooklyn scene too, you won’t have heard of any of the groups he’s mentions. He will consider you a barbarian for liking commercial music and you will consider punching him in the face.
I think it’s clear where I’m going here, so I won’t belabor the point.
Have you ever played Grim Fandango?
We arrive at the natural conclusion: these developers, thanks to the power of the Internet and rabid fans like myself, are now legends in their own right. When Miyamoto talks, everyone listens and when Tim Schafer makes a game, I buy it (we’ll ignore the fact that I don’t own Psychonauts or Full Throttle). All this devotion and dedication to one man is based on the strength of four games: The Secret of Monkey Island, Monkey Island 2: LeChuck’s Revenge, Maniac Mansion: Day of the Tentacle, and Grim Fandango, the last of which is the only one solely under Schafer’s artistic control (the true Monkey Island games were made by the holy trinity of Gilbert, Grossman, and Schafer while DotT was a Grossman/Schafer collaboration). When I played Grim Fandango for the first time in 2002, it was on the strength of Schafer’s Monkey Island reputation, but I wouldn’t have been able to tell you his name until 2007 when I started listening to video game podcasts.
The press gushed and gushed about how good Schafer’s games were and how Psychonauts was criminally under appreciated and created the image of a brilliant game designer whose games featured great comedy writing and stories, but mediocre gameplay. Think about this for a second: Tim Schafer is famous for being a commercial underdog whose games are only hampered by mediocre controls. Before Psychonauts, Schafer’s only games were adventure games. Controls are irrelevant in that context, so Schafer has a reputation based on one game.
What’s worse is that I totally bought into the hype. I found myself thinking, I hope poor Tim Schafer isn’t underappreciated yet again. Really? After one game? This is the industry. This is modern, enthusiast society. This is madness.
Did you buy Psychonauts?
I can’t say that it started there, but the first time I ever saw an editorial campaign intended to raise a game’s sales was back around 2003 at IGN. Matt Casamassina, a fellow fan of Eternal Darkness, was bummed about the lackluster sales of what was actually a really great game, but its downsides were twofold: it was a new IP and it was a dark, mature game launching on the Gamecube, clearly the wrong platform for the game. The point of the campaign was that mature games would not continue to launch on the Gamecube if no one bought it, so everyone should take one for the good of the team and play this game. As you might expect, the plan failed and, for all I know, Casamassina still does his best to drum up sales of mature games on Nintendo platforms (he was back in 2008 when I still listened to IGN podcasts) with the same results. The Internet’s a tricky place. Everyone will agree that these games are criminally underrated by their sales numbers, but no one is willing to actually open up their pocketbooks.
Well, there is at least one. At some point I got it into my mind that if I wanted to keep seeing good games, I should support the ones that are trying to innovate in the field, regardless of whether I want them or not. It’s why I own Zack and Wiki and Little King’s Story, despite having no real interest in either. I just wanted to support good, non-minigame collections on the Wii. Lucky for me, nine times out of ten the stance that I want to support means that I’m supporting a game or series that I do truly love. Paying for the Day 1 DLC in Dragon Age: Origins is a hot issue for many who are morally opposed to content appearing on Day 1, despite the fact that this stuff probably wasn’t ready for a Day 1 launch. Regardless, I own both packs because I love Bioware as a developer and I want to see them continue to make good games. Likewise, it might have been a few parts my completist nature, but I used to buy every bit of DLC offered by Harmonix for the Rock Band series because I wanted to support their philosophy on music gaming over Activision’s (I also don’t buy used games for a similar reason).
It’s an attitude not limited to games either, I no longer pirate anything and actually buy CDs, .mp3s, and DVDs to support the artists that I treasure. It’s kind of foolish and I get burned sometimes with mediocre stuff, but I think it’s still worth it.
The take home message here is that my purchase of Brütal Legend comes from a complicated place. Tim Schafer, a man elevated to game-god status, a rock star, if you will, being the primary catalyst while the rest of my logic amounted to a combination of wanting Double Fine to find success in their game releases for once and rewarding EA for picking up this title after Activision so unceremoniously dropped it.
Was that a good idea?
It may not be the truth, but it’s the better story.
Brütal Legend is the worst kind of lie. It’s singing love songs with the girl of your dreams on a road trip, but you’re the only one who means it, while your best friend is sleeping in the backseat, blissfully unaware of the metaphor. That’s not to say it’s an evil, insidious lie, it’s just pretending to be one thing while slowly guiding you toward another. Boot up the game, watch Jack Black, go to the Land of Metal, and you’re expecting a 3rd person action brawler. Not too long into it it’s become an open-world brawler, complete with vehicle sections. An hour or two after that and you’re partaking in a hybrid RTS/3rd person action brawler/open-world driving game. It’s bait-and-switch executed marvelously. You might hate the RTS portions, but you’re already hooked on the story and you’ve got to begrudgingly see the rest of it through.
I’ll guarantee that most players didn’t even know that their game had RTS elements before purchasing it. How would they have when all the advertising campaigns featured only the 3rd person combat? Was this an evil move on EA’s part?
As a supporter of Tim Schafer, I say no. It’s a lie, no doubt, but it serves a greater purpose. This game cannot be distilled into its distinct parts in a 30 second action reel. Why not bring in the sales on the game on this promise? It’s not like it’s a total lie, it’s more like a half-truth. You will be fighting in the 3rd person for majority of the game, you’ve just also got to manage your troops well or you will lose. Then again, I have a hard time defending deception to the consumer on such a grand scale. Did Brütal Legend lie to all of us? No one went out and outright said it was one thing, but gave you another. There was even a demo out there. Is it really “Buyer Beware” to give the impression of one thing in your advertisements and deliver a slightly different thing? This isn’t like giving top billing to an actor who only appears for three minutes of a movie, is it?
“We say, over and over again, that the default player actions in a single-player game should be compelling enough to make you believe with all your soul that a two-player deathmatch situation using two player character clones and said default player actions would be at least as compelling as the actual game.”
- tim rogers in his Bionic Commando: Rearmed Review
“We say, over and over again, that the default player actions in a single-player game should be compelling enough to make you believe with all your soul that a two-player deathmatch situation using two player character clones and said default player actions would be at least as compelling as the actual game.”
- tim rogers in his Bionic Commando: Rearmed Review
tim rogers makes a point in countless reviews that a game’s core mechanic should be good enough that you can play it in multiplayer ad infinitum and have just as much fun with it. Brütal Legend takes that just a touch too literally. Double Fine so desperately wants you to love their multiplayer that the entire singe-player campaign is a training mission to prepare you for multiplayer. The final units and mechanics are all finally nailed down for the player in the penultimate battle. I’m not kidding, you can’t do everything until right before you fight the final boss. It goes against everything that “we,” the player, knows about games. When you play the campaign in StarCraft, haven’t you gained access to the entire tech tree after maybe four of the ten missions in the campaign? Maybe I’m wrong and this isn’t true, but it’s certainly not right before the final boss.
I see what the intention is. Strong multiplayer drives down the resale of games. Pre-owned game purchases are money lost to the developer. We’ve seen this trick already, EA, it’s why Dragon Quest made you grind for ages and why DLC and special pack-in unlocks are so prevalent in the games of today.
Back on message, the problem with this structure is that I didn’t want to play multiplayer once I finished. I’ve yet to boot it up once. That’s not to say that the game is terrible, it’s just not mechanically sound (and, lo, we now have a pattern that we can apply to Schafer).
“The road is fuckin’ hard,
The road is fuckin’ tough-ah”
-Tenacious D – “The Road”
“The road is fuckin’ hard,
The road is fuckin’ tough-ah”
-Tenacious D – “The Road”
Before I dive even further into the mechanics, perhaps a look into the raison d’être for Brütal Legend, its story, is in order. I should start by saying that the most surprising thing about this game is that the player is controlling Eddie Riggs, not Jack Black. Despite his tendency to be Jack Black in almost every role he plays, credit has to be given to Tim Schafer and Double Fine for writing him as someone completely different. There’s not one “skedoosh” uttered by Riggs in the whole game and even the part where Jack Black is Jack Black is decidedly restrained and non-Jack Black-like.
So the player controls this guy, Eddie Riggs, who is a roadie for a fictional metal band, Kabbage Boy, that’s all kinds of terrible in the modern, faux-metal, emo kind of way. The intro has this great part where the band starts off with an appropriately epic power cord, only to have a DJ break in with some scratches while the song devolves into a pop-nonsense song about the lead singer’s girlfriend. After saving one of the band member’s lives due to some reckless climbing (all while staying out of the spotlight), Eddie is crushed by some of the stage and his blood lands on his belt buckle, summoning the Metal god Ormagöden, who kills the members of Kabbage Boy and transports Eddie to a mystical world of METAL (if I could make flames burst out of this review, I would). For a guy like Riggs, this is a dream come true since the entire landscape looks something like the album cover to the metal records of old. Demons rule this world and enslave humans, but there is a small resistance group led by a man named Lars that Eddie joins to get closer to Ophelia, a woman he meets when he first teleports in.
The beauty of Schafer’s tale comes from the heavily enforced role of the roadie. Eddie Riggs is not out for glory and, despite the fact that he is the resistance and the main character throughout the entire game, he is not the hero. Maybe it’s Eddie’s personality, but he is firmly devoted to being a roadie and unused to the spotlight. It’s so ingrained in his character, that the narrative only addresses the discrepancy between what Eddie does and what he gets credit for maybe twice and both times he quickly brushes off. The story isn’t about Riggs becoming a hero in a world in which he belongs, which is strange, because it clearly features him uniting humanity and freeing mankind. Instead it’s a (METAL!) love story between Eddie and Ophelia and a damn good one at that.
Both the characters of Eddie and Ophelia are believable and both the dialog and voice acting between Eddie and everyone else is among the best I’ve seen in any game (top marks also go to the Uncharted series, the second of which I played right before Brütal Legend). The metal legends chosen to make cameos (Ozzy Osbourne, Ian “Lemmy” Kilmister among others) do fantastic jobs of being both themselves and (especially in Ozzy’s case) fucking metal. Even the professionals like Jack Black and Tim Curry do some of their best work while industry veterans Jennifer Hale continues to prove that she’s one of the best in the business (don’t believe me? Check out her gameography).
At the end of it all, it’s clear what Schafer’s true strength is: world-building. Grim Fandango takes place in a wholly unique, single-serving world inspired completely by the Day of the Dead celebrations in Mexico with a dash of hell, demons, and the 1920s mafia. Psychonauts takes place within the brains of its cast of characters, with each mindscape inspired by psychology featuring wildly different neuroses, themes, and ideas. Brütal Legend, as you know, is inspired by heavy metal and creates a world where bass notes can heal, guitar strings are crafted by metal spiders, and guitar solos have the power to literally melt faces off. In each case his brilliance and creativity shines through and the player never wants to leave. He is unparalleled in this respect.
Brutal Legend draws itself up proudly. “I am a bastard child of the schizophrenic postmodern age. Know only that I am metal, and that I was forged from the raw materials of innumerable genres. No single acronym can contain my all. I am pure hybrid.”
-Chris Clemens. “At the Gates of Genre“
Should Tim Schafer give up on games? I refuse to go on the record as saying that Brütal Legend is a bad game. Trust me, it’s not. On the other hand, it’s also not very good. It’s wild hybridization of multiple game styles and mechanics don’t combine for the better and the game winds up a jack of all trades, but, well, you know the rest. No one aspect of the actual game mechanics make me want to boot the game up again. Melee fighting is shallow because only two buttons can be allotted (you need to be able to control your troops and play guitar with the others). Driving is just a faster way of getting from point A to B and feels unsatisfying.
Quick Aside Time
I understand that this is hard and that resources are better spent elsewhere (not to mention that invisible walls serve to keep the player within them), but we, as gamers, need to take a stand against the goddamn trees in video games. How many fucking metal :throws up horns: nitro boosts did I waste because a thin, pathetic looking tree turned out to be The Epic Tree of Arrested Momentum. Seriously, if you’ve got small logs that I can drive through at low speeds, then why can’t I drive through a thin bit of underbrush? Then again, my car can fall thousands of feet and take no damage, so maybe my car and the trees are made of the same mystical, physics-distorting material.
Back to the review…
I can go on ad infinitum about every system in the game: the guitar solos are shallow, the RTS-style mechanics are frustratingly imprecise, the quest structure is repetitive, and the collectibles are annoyingly difficult to track and collect. Tell me Schafer, if I’ve got a map that automatically draws itself as I discover new parts of the world, why can’t it have a toggle switch to show me which collectibles I’ve already found? Ask my friend Ian how many hours I spent searching for the last (of 120) Bound Serpent in the game. It’s MADDENING.
At the end of the game, when evil has been vanquished and all the credit and accompanying hero worship has fallen on Lars and his sister, Lita, we see Eddie drive away, content to be a mere footnote in history, despite being the only reason that the history of that world continues. I return to the question, should Schafer stop making games himself? Wouldn’t he be a much better world designer for other projects? Isn’t Tim Schafer a better Eddie Riggs than a Lars? On one hand, I want him to continue to have the freedom to make his own full, artistic visions come true, but with two consecutive commercial failures under his belt (Brütal Legend has reportedly sold only 200,000 or so copies in Rocktober, but we’ll see what Christmas brings), will the industry keep giving him a chance?
Lars: “What do you do with a bunch of kids that just wanna bang their heads all the time?”
Eddie Riggs: *tears in eyes* “You start a revolution Lars…”
Tim Schafer is a rock star. There are few people in the industry who get what it means to craft a world, but the staff at Double Fine, Schafer-included, need to sit down and think about game design a little more. It’s got to be hard to reign in Schafer’s monstrous creative energy, but it would be a good idea to try to focus on getting fewer things perfect in their next game. The sad truth is that they haven’t got many more chances. Most of them could probably find jobs elsewhere, but the only member of their team with absolute job security is Tim Schafer. He will always be a Lars in the industry. Developers would be nuts not to give him top billing of some kind (note that the boxart for Brütal Legend explicitly states “A Tim Schafer game” above the title) and he deserves that kind of praise. So, to answer my previous question, Tim Schafer should absolutely make games, but perhaps he needs to narrow his sights a little bit and focus more on his core mechanics. Less can be more when you have to sacrifice quality.
Furthermore, have I learned anything about hero-worship in the industry? If anything, I think that writing this review has caused me to reevaluate the stances I take for granted on game companies and the artists I love, in general. I still think that the most effective way to lobby for anything in this industry is with consumer dollars, but I’m finding myself increasingly disenchanted with how little the sales from a small, dedicated fanbase amounts to. I mean, look at what my money did for the MLB Power Pros series in America? Given the decision again today, I would still go out and buy Brütal Legend. I like it that much, game mechanics aside, but with only 200,000 in sales, I’m pretty sure it will be a while before Double Fine is able to round up as much capital as I’m sure they did for this game (which may be to their benefit). On the other, Dan-has-learned-something hand, I’m pretty sure that I’m no longer giving everyone a carte blanche license to earn money from me. Metal Gear Solid 4 was such a disappointment to me that it will take some prodding for me to really trust Kojima again. Nintendo has flip-flopped around so much with Mario that I’m unsure where I stand. Mario Galaxy was not the breath of fresh air I thought it would be, but New Super Mario Bros. Wii is a masterpiece of sharp, 2-D game design combined with the brilliant addition of 4-player co-op. I no longer buy mature titles for the Wii. DVD box sets of shows that I casually want to remain on the air no longer get bought. Some things have been learned.
Take Home Review Message:
Brütal Legend is a definite rental, but I don’t feel comfortable recommending that you buy it until you’ve tried out the multiplayer.
The taste of Cuban food, the smell right before a thunderstorm on a summer afternoon, the sound of disco music, the oppressive feel of summer heat, and the sight of a pink building all remind me of my childhood home. Everyone knows that the senses trigger strong memories. It’s also common sense that the media we take in over our lives can have a profound effect on our memories of our past and development. From the simple books of my childhood to the games and music I played and listened to along my 23 years of development, there are certain pieces of media that are just inseparable from the circumstances surrounding their initial consumption. They range from the simple joys of childhood all the way to the angst of high school and the harsh realities of adult life, but I wouldn’t trade these associations for anything.
My earliest conscious memories all come from the modest house in Hialeah we lived in as children. The memories come flooding in as I think about the years I spent growing up in that house, but some of the most vivid come from the John F. Kennedy Memorial library. A giant, two-story behemoth of a building, I spent many a day browsing the books with my parents and in library camp during the summers. In the corners of my mind, I can recall watching a movie about a mouse who had a race car, but I know it wasn’t Stuart Little, it was far too early for that. I remember reading books about a purple monster (El Monstruo?) with my dad to practice Spanish, I remember watching Bob Ross videos (“Happy little trees”!), and I remember the joy of getting my own library card, even though it had a single-digit limit on check-outs, but most of all I remember checking out Three Investigators books. This, initially, Alfred Hitchcock-supported trio of detectives were the main characters in a book series that my father used to read as a kid. Knowing that I enjoyed mystery books, my father recommended them to me and they quickly became a favorite of mine. I can still remember the corner of the library where I used to look for these books. He may not realize it, but those books have stuck with me to this day and they will forever remind me of my father and my time in Hialeah.
While I have plenty of memories of playing the NES in our family room or Eric’s room in Hialeah, the first gaming system that was truly mine was the SNES that lived in my bedroom from 1992 until we moved. The story behind the Christmas I got it is colorful and fun, but Super Mario World sticks out beyond that in my mind for one simple reason. I specifically remember playing that game in the corner of my room, my television sitting atop my dresser, requiring a bash or two to get the colors just right, throughout that year and the next. It was conquered several times in two different parts of my room, with David watching me or playing as Luigi.
Memories of that bedroom are also carried within the bytes of King’s Quest VI. My father brought home the game at someone’s recommendation – this was when my father still played games on occasion – and began to puzzle through its depths at night after completing his homework. His obsession with the game became so great that he would often sneak peeks at strategy guides within computer stores during his breaks or on the way home from work so that he could get unstuck that night. My memories of the game develop from fear to delight as I grew older. You see, the King’s Quest series was not like the adventure games of Lucasarts, you could die at a moment’s notice. The realism and the grisly deaths combined to make me actively fear the game as a small child and I used to cover my ears so as not to hear the inevitable phrase “Tickets Please” uttered by the gate man of Hell itself as my father as Alexander perished yet again.
I would brave the depths of King’s Quest VI years later with Eric when we had moved to Tualatin, a small suburb of Portland, Oregon. With the help of a guidebook so detailed it included a novelization of the game’s events, we easily conquered Alexander’s quest and that of Graham and Roselia in the games immediately preceding and following. Much stronger media memories from my Oregon days come more from my original playthroughs of both Chrono Trigger and Final Fantasy VI. My Chrono Trigger story was already documented pretty well with the 16-bit All-Stars, but what wasn’t as well documented were the days spent sitting on the floor of Eric’s room as we played. Poor David was relegated to spectator status as he watched me trek through the 16-bit time travel saga, but he got his money’s worth as he asked me to read and act the character’s parts aloud as I played, which I happily did for him most of the time.
An epic nine-day rental of Final Fantasy VI will always remind me of the family’s first big screen TV. I fondly remember powering through the game, grinding in the desert as we leveled up each character in our repertoire to prepare for our battle against Kefka. Since FF VI featured a two-player mode, David was more than happy to play along through battles as we forged our way through the epic story of my favorite in the series. I can still picture the position of the television next to the fireplace in our living room. I can still remember the Hollywood Video we used to go to where we rented the game.
After a few short years in Oregon, we found our way back to Florida and I found myself in my freshman year of high school. It was in that last year in Broward county that I have my strongest media-related memories. Eric started reading books by Neal Stephenson when we were living in Oregon and he got a hold of Cryptonomicon around the year 2000. I read the book in the back of my computer programming class during the spring of 2001. My desk was in the back of the room and I finished programming assignments so quickly I always had time to read. I even remember one of the assignments, a tic-tac-toe game coded in Visual Basic.
My memories aren’t completely limited to games of the video variety, the card game Spades, a game I learned also in the spring of 2001, is forever associated with being 15 and playing water polo. Coach Childs worked somewhere else in the district and he had to travel to the high school for practice every day. To pass the time before his arrival and our usual stretching routine, my friend Scott Huntley and other members of the team would play an informal variant of spades where the first to seven books won the game. Those spring afternoons playing cards in the amphitheater on the red mesh lunch tables of our outdoor cafeteria were great. I took the great card game of Spades with me when I switched schools the next year, introducing it to as many as I could and I played at the end of the year almost every year, but it could never beat those afternoons before practice.
We moved that summer up to central Florida, the greater Tampa Bay area, to be specific, much to my chagrin. The prospect of meeting new people and making friends yet again was daunting, but I had the help of aspiring pirate Guybrush Threepwood to get me through the anxiety of that summer and keep me from worrying too much. My first playthroughs of the fantastic games within the Monkey Island series come from that summer. As I type this on the desk I first got when we moved to Tampa, the memories come flooding back to me. The precise positioning of the desk in my bedroom. I can remember David lying on my bed behind me as we worked through the puzzles and my first girlfriend, Daniela, laughing at the ridiculous jokes in the later iterations of the series, brought to life through Dominic Armato’s voice. Lucasarts adventure games dominated that summer, but the Monkey Island games, by far, left the greatest impact on me. The day that I learned about the new iteration in the series and the MI remake I told almost anyone I knew who would care. They could all vouch for how excited I was. I owe this all to that one summer where I learned the art of insult swordfighting as I got ready to enter a brand new high school in a new town.
I listened to oldies music for the first 14 or so years of my life and, while it brought me my great love and appreciation for greats like The Beatles and The Rolling Stones, it didn’t factor as much into my life as pop music did during my later high school years. Predictably, most music associations I have are tied to various girlfriends I had throughout high school. Take Sublime’s tribute to the working girl, “Wrong Way.” I discovered that song the summer of my Junior year when I met and was dating a girl named Stephanie I met at my job at Busch Gardens Tampa Bay. She happened to live near the park and was definitely from the “wrong side of the tracks,” so to speak. I’m not implying that she was a working girl, but I couldn’t help but think about the more dire economic situation near the amusement park (seriously, it was in a really crummy neighborhood) as I drove out there to see her after work or on the weekends.
Two songs by the Lostprophets, “Last Summer” and “Make a Move,” were weighing pretty heavily on my mind before I went off to university the summer of my senior year. Read the lyrics and you’ll understand why my good friend-turned-girlfriend Ashley is particularly associated with both of those songs in my mind before we went off to separate universities.
Not all song associations have to do with girls, one in particular, “All My Life” by the Foo Fighters, is actually associated with the swim team, my friend Chris, and districts. The slowly building beat was perfect for hyping us up for our races and Chris and I both gave it a listen before lining up on the blocks to get the heart pumping in preparation. I can still almost picture the tent-like structures pitched off to the side of the pool, the smell of chlorine in the air, and the simultaneous excitement and dull boredom that is a district-wide swim meet.
All that’s great, but I want to end where I started, video games. This past summer was a huge period of transition for me. I was graduating, but the job I thought I had was closed off to me through circumstances I’m completely at fault for. Faced with the prospect of heading back home with my tail between my legs or sticking it out and looking for work, I chose to find a job or starve. I was determined to make it out here and I was lucky to have a very understanding roommate allowing me time to get back on my feet. The days were spent working toward finding myself a new job, but the nights were spent finally indulging in something I had to put off for my final semester at school: Metal Gear Solid 4. Any link between the struggles of Solid Snake to stay alive and determinedly finish one last mission despite his clone degeneration and my job hunt would be ridiculous in more ways than can be named here, so I won’t go there, but I will say that playing MGS4 on the floor of my apartment (we had no furniture at that point) on my teeny 25″ television (we have a 65″er now) will always be special to me. It was the first game I completed after completing my education. The first game I finished after I was set free in the world on my own. It was (supposed to be) the end for Solid Snake and a new beginning for me (I couldn’t resist). Beating it was my first victory amidst some pretty terrible losses that brought me to that point throughout the summer and I’ll never forget the mixed emotions I felt once I’d finished Snake’s swan song. On one hand, the MGS story was done (so I thought) and Kojima went all-out to end his landmark series I was thankfully not alone in a new state (glad to have you around Eric, Min, Duffy, and my other local friends). On the other hand, the finale was overwrought, overproduced, and kind of lame and there I was jobless and left with a feeling of “What now?” thanks both to Kojima’s ending and my situation. It been working out for me so far, but I find that I can’t go back and play MGS4 just yet. Something about the experience resonates too much within me to just replay it in these better days.
That was a rather long-winded way for me to talk about memories of my past. Any of my readers (all three or four of you) have any memories of media strongly associated with their past that they’d like to share? Comment away.
Happy Fourth of July!
Recent statistics packages on my blog allowed me to browse search terms that lead to my site. So here’s what you’ve been searching in July along with relevant links and/or answers to your questions.
mlb power pros 2009 - 68 hits
MLB Power Pros continues to be a strong draw for my blog since I’m probably one of the few guys who talks about it. Real shame too, because it’s such a great game. Many come to the blog hoping to find news about the 2009 edition, but, if they’ve hit up my post they know that I’m skeptical that the game will come stateside.
vinny caravella – 21hits
persona 4 endurance run - 14 hits
Embedding the Persona 4 Endurance Runs on this website has had a profound effect on my traffic as Vinny Caravella and the Endurance Run itself seems to draw quite a bit of traffic to me.
server.ericsbinaryworld.com – 14 hits
Not too surprising, the root search for my brother’s server yields my website.
pokemon platinum evolution table – 13 hits
I’m not quite sure what a Pokemon Platinum evolution table is, but you can find good pokedex resources at Marriland and Serebii.net
dwarf fortress stories – 12 hits
Clearly a reference to these two posts: (1, 2), folks looking for Dwarf Fortress stories can also find some great ones at the official forums. Other options include the fantastically hilarious story of BoatMurdered and the more serious, but still fun Nist Akath
claudia black nude – 11 hits
Claudia Black, newest addition to the Uncharted franchise, seems to be a rather popular figure on the blog. According to this VERY NSFW SITE, she has never done any nude roles. Sorry guys, tough luck.
power pros 2009 – 7 hits
mai shiranui nude – 6
This one shouldn’t really be all that hard to find people, seriously! Here’s are VERY NSFW links. I don’t know if that’s the best stuff out there, but I’m not really willing to look.
fallout 3 vegas – 5 hits
No real news on this.
persona 4 review – 5
No doubt searching for my review.
giant bomb achievements – 5 hits
My achievements. Let me show you them.
i bring nothing to the table – 4 hits
The URL. You can’t miss it, it’s right at the top of the screen.
timon - 4 hits
I’m guessing they mean the meerkat, but just in case, here’s a disambiguation.
gears of war 2 exp table - 4 hits
Are you referring to the new experience system? Google also gets confused cause the word Table is in my URL, despite it having nothing to do with GoW 2.
endurance run persona 4 – 4 hits
metal gear solid 4 proves that players will put up with mediocre gameplay as long as the art is good – 4 hits
Totally wrong. MGS4 has FANTASTIC gameplay. It’s the story that’s seriously lacking.
mlb power pros 2009 release 4
bubblegum crisis hentai – 3 hits
Kicking it old school, huh? Not sure if this link will ever work, but please don’t make me keep searching for this stuff…
pete mccullough bass – 3 hits
The bassist for Streetlight Manifesto. Their URL can be found here
endurance run persona – 3 hits
tabel van dempster – 3
I have no idea what this is or why it leads to me. Probably because my site contains the word Table and I’ve spoken about Ryan Demptser
youtube mariano rivera major league at bat – 3
Mariano Rivera got himself his first RBI on the same day he got his 500th save. What a milestone! MLB doesn’t allow video of their games on Youtube, but you can try their website. No guarantee how long it will be up.
mlb power pros 2009 wii – 3 hits
“mlb power pros 2009″ – 3 hits
nothingtothetable.com – 3
My fantastic URL!
kings quest princess bride clues – 3
One big problem with this search term: It should be King’s Quest VII: The Princeless Bride. Other than that, you can find some FAQs and walkthroughs here.
the gregory brothers – 3 hits
I love Auto-Tune the News. You can find the Gregory Brothers URL here.
best dwarf fortress stories – 3 hits
pokemon fight table – 2 hits
Again, see above.
streetlight manifesto christian – 2
You know the drill. You’re also confused. There’s never been a member named Christian and this is NOT a Christian band.
super punch out super hard mode – 2 hits
Officially called Title Defense Mode, here are some hints.
dean strelau - 2 hits
A friend of mine mentioned in this post about baseball. I wonder who was google-stalking him?
gustavo sorola – 2 hits
One of the founders of Rooster Teeth. Very funny man.
youtube boston batter shatters bat against washington 2
Pretty dangerous event. The bat almost hit Nick Green and caused him to miss the fielding.
l4d zoey track jacket – 2
Surprising that I get the L4D track jacket (available here) as a hit instead of the nude Zoey mod post I made. No complaints here.
The Dark Knight
I saw The Dark Knight twice on Blu-Ray this week and after three viewings, this movies still undoubtably holds its own as the best movie in the summer and even fits into my top five of all time.
What Christopher Nolan did with this movie was incredible, creating a superhero movie that feels decidedly not like a superhero movie (in that nothing that happens in it is that far beyond what you’d see in any action movie), and still retains a sense of cinematic integrity and depth beyond any Batman movie before it (save, perhaps Batman Begins).
A superb piece of cinema. I cannot wait for the sequel, especially if Nolan directs again.
It really is a surprise, considering how much of the early life of this blog was devoted to Metal Gear Solid 4, that I haven’t mentioned this yet at all. There’s a teaser site out there about about Metal Gear hinting at some sort of new product. I would get the link for you now, but I don’t have access now, so I’ll do it later on, perhaps tomorrow. The general crux of the teaser is that it’s an all black site with an upside down exclamation point (or an ‘i’) plus an exclamation point is equal to a power sign, with the power sign part being an exclamation point. It looks something like this:
i + ! = power sign with exclamation point instead of a vertical dash
Underneath it says “A NEXT METAL GEAR IS” or some other Engrish-y sounding phrase. Speculation is rampant as to what this might be. The fact that the writing is all in green makes it look like it could be MGS4 on the Xbox 360. The ‘i’ and ‘!’ makes it look like it might be a sequel to Metal Gear Ac!d. No one knows yet and we’re all anxiously awaiting (unless the news has spread by now and I’ve missed it since I’m behind on gaming news).
A 360 announcement would be devastating to PS3 loyalists, but untimately intelligent for Konami, a company that probably loves to make money.
I’m hoping it’s for a new Metal Gear game, although I do hope that there’s no Solid Snake in it, his story is over.
Insert another credit, because it’s time for your weekly video game news and you’ve just hit the Game Overview screen.
(SPOILER NOTE: Tim’s review, my review, and some of this post have MGS spoilers. Read at your own risk)
I’ve taken a few excerpts from Tim Rogers’ brilliant review of Metal Gear Solid 4 and I’m going to talk about them a bit. He totally threw us for a loop, revealing the game that is NOT ABDN’s best game of all-time, but revealing a game he firmly believes not to be. Let’s get started:
“If it’s a fact that Metal Gear Solid 4 sucks on purpose, we can hardly blame Kojima for that, either. Given his previously well-documented disinterest in the series, its having been promoted as his “opus” must have turned his stomach. It’s clear that Kojima’s priority was the game’s plot, and making sure it “satisfied” fans: like the world’s fattest kid circa 1989 winning a Toys R Us shopping spree, Kojima struts zombie-like into the warehouse of his past work and proceeds to remove absolutely everything from the shelf, dropping one item at a time into his bottomless shopping cart. He eventually gets up to the cash register, leaves the cart unattended, pulls his smokes out of his jacket, and steps outside.”
In this point I can’t help but hope that Kojima was in fact making a disappointing game on purpose. Sure, MGS4 wasn’t terrible, but after all the hype, after Metal Gear fucking Solid 3, I found myself thinking “Really? After that, this is what you bring to the table?” MGS3 was so good that I suppose surpassing it was either impossible for Kojima or, as Rogers says, not even the point of what he was doing. He made MGS4 because he had to. He made MGS4 basically a checklist for unanswered plot points because he ultimately wanted to be DONE. May Hideo Kojima never have to have as much control over or make another MGS game. The man, despite what Rogers thinks, is brilliant. I like to think it’s just a question of him finding a project that truly interests him again.
“By act three, the game has abandoned its neat little idea in favor of a far neater one: we are now following a guy through a European city. Snake is wearing a trenchcoat, looking like Gillian Seed from Snatcher (the fans swoon), and it’s quaintly foggy. Ironically, this proved to be our Absolute Favorite Part of the Game. Since age nine, we have wanted to wander a European metropolis after curfew, letting a shady man obliviously lead us to his shady headquarters. This is the reason we studied Russian and Chinese in elementary school while everyone else was busy pretending they knew something about sex. We carried this dream in the palm of our hand until college, when it dawned upon us that we could Actually Die from doing Stuff Like This, so we started writing about videogames in the first-person plural instead. Metal Gear Solid 4 manages to get the mood and the pace of Euro-man-stalking just right. Our target is “Side A”, and the enemy troops enforcing the curfew are “Side B”. We are “Side C”. The level design in this part of the game is ferociously cute: both we and Side A are in violation of Side B’s rules; while avoiding Side A’s detection, we have to ensure that Side A avoids Side C’s detection. This ends up pretty fascinating, whether you have watched the opening cut scene or not. Eventually, you get to the goal, and suddenly you’re riding shotgun on a motorcycle in yet another ropey on-rails shooting sequence. It’s like waking up from a dream about the Bahamas to find out you’re actually in Bermuda. Instead of intimately sharing military secrets with a woman you picked up at a poker table, you’ve got your mother asking you to shoot a helicopter down.”
I feel the need to interject that, despite Europe being compelling to Rogers and the ABDN crew, it’s rather dull compared to the actual MGS gameplay that I wanted. The gameplay of MGS3 was not about following a dude, although it’s also not too far. The dynamic of hiding from two forces is decently interesting, but its perhaps marred by the game itself. You CAN just take off the trench coat and continue running around in your octo-camo. You can just stun all the guards instead of sneaking around. Hell, you can just kill all the guards, so long as your mark doesn’t see it happen. The gameplay isn’t quite as compelling as the other sections, to me, even if the locale IS. Wandering throughout a European city in actual MGS fashion would be quite fun and worth exploring in the inevitable, but hopefully not Kojima-directed, MGS5.
“We will disclaim, right here, that we have, for the past decade of jacked-into-the-netness, chuckled and rolled our eyes whenever anyone complained about the length of the cut-scenes in a Metal Gear Solid game. Some people said they just wanted to enjoy the “gameplay” (like that’s a real word); some people said they just wanted to enjoy the “atmosphere”. It puzzled us, to the point of rubbing our bellies in amusement, that someone would dare to want to play Metal Gear Solid with absolutely no invested interest in the characters. It’s not that the story and the characters are necessarily great literature so much as they’re insperable from the game’s progression and atmosphere. If you only like the game mechanics, you’d be better off playing Pac-Man — it’s basically the same thing. Conversely, if you only like the story, you’d be better off reading a book. (Crucial: notice how we recommended Pac-Man for players who only like Metal Gear Solid as a game, whereas we recommended any book in existence for those who enjoy it as a story.) If nothing else, the original Metal Gear Solid had a dignified flow to it: the characters were all rough sketches, all vaguely likable. Conceptual Bullshit was kept to a minimum, and by minimum, we mean “Maximum, in Hindsight”. There was a fucking “boss” who you didn’t fight, who you instead met and talked to, and he died six hours before you even knew he was a boss. The game shows you this level of virtuosity for a while without once flexing its muscles in the mirror; at a certain point, it starts delivering soliloquies about love blooming on the battlefield; by this time, we are so into it that we can’t give up now. The game has worked its spell on us.”
Rogers brings up a vital point about the REASON people play a Metal Gear Solid game. It makes sense that a blockbuster like the MGS series is not only attract people who firmly agree with the gameplay environment, but I too marvel at the people who complain about cutscene length, but claim to be fans. The game IS about long cutscenes. The game certainly has a specific aesthetic created by its controls and actually interactive portions (ie: the parts where there aren’t cutscenes), but without the context, I would think it’s quite boring. Then again, I’d say I’m a person who is mostly motivated by story. I’ve played abysmal games just to see their endings in the past and I continue to play mediocre and great games, like MGS4, just to see what happens at the end. It’s absolutely true that divorcing MGS from its cinematics is divorcing the entire reason for playing from the game. It just makes no sense otherwise.
“Hindsight will tell us that, in concept and execution and everything in between, Metal Gear Solid is better than Metal Gear Solid 4, though this hardly matters. What matters is that we have grown up, and Metal Gear Solid has grown down.”
This is absolutely true. I would have to take a second to very firmly point out that MGS4 is, by no means, a bad game, it does suffer from something no other Metal Gear game does: sequelitis. It tries too hard to be what is iconic Metal Gear for its fans as a conclusion to such a degree that it is less Metal Gear for doing so. Think of the Solid games starting with MGS. Sure, that wasn’t much more than a rehash of the elements of MG2 (in fact, elements of the MG games continually repeat, but that’s actually a major theme of the game (how brilliant is Kojima to make “laziness” translate into “artistic purpose”?)), but getting serious, it’s plain that MGS2 is radically different from MGS. You have a totally new protagonist running around through an environment that is fundamentally different from Shadow Moses. The game felt different enough to warrant significant fan backlash causing low sales of the third, also fundamentally different Metal Gear Solid 3, where you, the player, are now in the past, the tech is old and different, changing the game from Pac-Man to something slightly different. Snake is not the same Snake (although he arguably/genetically) is, you now have a camouflage system, you have to eat to maintain stamina, and you have to treat your injuries.
Meanwhile, here comes MGS4. There are some slight gameplay tweaks here and there with octo-camo and the Drebin weapon system, but you’re not doing anything fundamentally different from the past games. You even have a stage where you revisit an old locale. MGS4 suffers because it is too much like the MGS games of the past. Kojima should have continued to grow as he did with MGS3 instead of regressing to the asinine and stupid with monkeys in diapers and god-awful stupid cutscenes. See Rogers’ treatment of the fried egg dilemma in the same review for more on that.
“…the (seemingly) hour-long sequence in which Ninja Raiden Riverdance-Duels a gay vampire in order to buy Snake, Otacon, and their pet robot enough time to escape from the hell of South America via helicopter is a chief offender: look at those moves! The moment we, as a “player”, behold a scene in a “videogame” and think “Man, someone should make a videogame out of that”, the ghost is essentially given up.”
Also (mostly) a first for MGS4 is the sequence where we cannot control Snake’s (or Raiden’s) bad-assery. The only notably awesome action sequences outside of MGS4 I can think of that we did not, in fact, get to control happen in Twin Snakes (this was widely hated) and in MGS3 in one scene. There is ONE scene in MGS3 where Snake beats up on the Ocelots with CQC. Every other time Snake tries to be fancy with CQC in a cutscene, The Boss, Volgin, whomever, seriously kicks his ass and makes him look like a moron. EVERY OTHER TIME. The player should not ever wish to control a cutscene in a game. Games are created to allow us to control the cutscenes. This is the failure of Quick Time Events too, in my opinion. Too much abstraction involved with making the protagonist look amazing.
“Eventually, the game turned us off to the concept of entertainment in general. Eventually, the game makes us start drinking.”
While MGS4 was, by and large, a disappointment to me as I became a victim to hype and high expectations resulting from playing MGS3, it is not this bad. It’s got its rough edges and, as Rogers loves to state in his review, the cutscenes are a train wreck of awkward acting and dialogue that would make almost anyone embarrassed to be seen playing the game (I’m looking at you Johnny…while I’m at it, you too stupid monkey in diapers), but I still stand by my review stating that you should play it. I’m pretty sure that my review was full of disappointment over finishing a great series off with less of a bang, but more than a whimper, it’s definitely worth a play.
(Just when you thought they were over, welcome to another MGS-full post)
It’s time for the moment many of you have been waiting for: my review of Hideo Kojima’s epic masterpiece: Metal Gear Solid 4: Guns of the Patriots.
SPOILER ALERT: This review may contain story spoilers. Read at your own risk!
Operating mostly on the basis of a promised beautiful, cinematic, amazing future of games, the PS3 launched back in November of 2006 with many of its purchasers anxiously awaiting the arrival of one specific game: Metal Gear Solid 4. Arriving quite some time later, is this the game to finally make the PS3 a worthwhile purchase? Let’s have a look.
One of the main questions on everyone’s mind when MGS4′s launch neared was whether or not the game would be able to wrap up the multitude of sometimes downright ridiculous plot points laid out by the six or so canonical games that have come out over the last twenty years. I’ll tell you outright that they definitely did manage to get it all figured out in a mostly satisfying way and with a pretty great premise that relates rather well to the previous games in the series. Unfortunately we lack some of the major themes of the typical MGS game, which is quite unfortunate, since the game is now more about Snake getting revenge and, to borrow a marketing blurb from Halo, finishing the fight.
The premise behind this new game is as complex as any other Metal Gear game. “War has changed,” as Snake tells us right from the get-go. The world economy revolves around war instead of oil with major private military corporations handling military operations in lieu of the more typical government-handled warfare of the 20th and 21st centuries. Snake’s major antagonist, Liquid Ocelot, happens to control the five major PMCs and is about to stage a revolt. Colonel Campbell will have none of that, so he’s sending in Snake to put an end to Liquid once and for all.
If you’ve ever seen a clip or footage of old Metal Gear Solid games, you’re no doubt wondering why Snake looks so old in this game. Simple answer, Snake, being a clone of the great Big Boss, is actually suffering from rapid cellular degeneration as a direct result of his cloned nature. So begins the tale of the living legend as he pursues Liquid across the globe. I’ll leave the synopsis at that, since the rest is best experienced in person.
The Metal Gear Solid series has always suffered from rather obscure control decisions, resulting in a finger-twisting control scheme that was definitely frustrating. For the last game of Snake’s career, Kojima teamed up with Ryan Payton to try and “Westernize” the controls of MGS to streamline the obscure decisions that have been a hallmark of the past ten years of Metal Gear. By making these controls work better in the post-discovery, action-oriented parts of MGS4, Kojima also inadvertently made it much easier to NOT play MGS as “Tactical Stealth Espionage” game. Really, what is Metal Gear without the stealth? The game was punishing when you messed up because you weren’t supposed to get caught. Your gameplay should be much more deliberate, slow and controlled than a straight-up action game because this is NOT an action game. That disappointment aside, the reworked controls do make the experience that much smoother and help to bring modern game design to the classic series.
Extra Spoiler Alert
Also new to the mix is the way that the levels are laid out. The first zone, the Middle East, has you more or less in the middle of a battle between the PMCs and militia insurgents. While these two factions are battling it out, you can choose to sneak, stealthily, around the fighting, help the militia take out the PMCs, gaining their trust and making them allies on the battlefield, or kill/stun both PMC and militia alike, making enemies of both. This first section on the game also hapens to be one of the best done sections, with the interesting dynamic of warring factions, tension resulting from battlefield sneaking, and a overall cool locale.
Act two takes place in South America, in a throwback type situation to MGS3. It doesn’t quite take place in the jungle, but its got a similar aesthetic to it and is the second most fun zone in the game. There is one area of complaint, the part where you have to “track” Naomi’s footprints to get to where she’s being kept in S. America. it’s just not as fun as the game thinks it is to look for footprints. This section also features some of the militia/PMC fighting of the desert.
The third act is the weakest of the bunch, taking place in Europe, you mainly follow a member of the resistance in an attempt to locate the headquarters of said resistance and “Big Mama.” It’s just plain not as fn as other parts of the game, even if it forces a bit more the stealth aspect of MGS that I love so much.
Act IV has the third best section of the game, as you return to Shadow Moses Island hunting Liquid Ocelot. The act starts with a dream sequence that pops you back to the PSX Metal Gear Solid making you play the approach into the Shadow Moses Island base. after that bit of nostalgia, you bust into the base itself, hearing bits of nostalgic moments that took place int he island as you pass through familiar locations. The enemies in this section are far less interesting, as they are mostly robotic. and not as fun to sneak by. This act does also contain a very sweet section where you pilot the Metal Gear REX, the model you fought in Metal Gear Solid and a Metal Gear on Metal Gear battle as you spar with the Metal Gear RAY model from Metal Gear Solid 2.
The final act brings you face to face with the Outer Heaven, Liquid’s main battleship and the location he intends to launch his revolution from. The shortest section in the game, it does feature a great boss battle against a foe similar to Psycho Mantis as well as one of the best cinematic and nostalgic gameplay sections as the final boss battle.
No real review can get away without mentioning Metal Gear Solid Online. This game, I feel, suffers from the fact that stealth is not rewarded as it is in the main game. Why would you want to play MGO like any other third-person shooter? I mainly have my fun by refusing to kill any other players, but when I do manage to stun another player, one of my teammates inevitably comes around and shoots him in the head on the floor. Can’t win ‘em all, I guess.
Meet the best looking PS3 game currently on the market. Every ounce of processing power available to Konami and Kojima Productions was expertly utilized to create a beautiful experience that will wow most any naysayer of the PS3′s graphical capabilities. The desert makes you thirsty, jungle makes you sweaty from humidity, Europe feels cool, Shadow Moses Island is appropriately haunted-seeming, and Outer Heaven’s cinematic beauty makes for a great end to a fine game.
What can I say? The guns sound good, voice acting is as superb as ever (boo to losing the British and Chinese accents of Naomni and Mei Ling, respectively), and the score by Harry Gregson-Williams and company evokes the properly patriotic and legendary aesthetic of Metal Gear.
Metal Gear Solid 4 is an amazing game, but I found myself just a wee bit disappointed with the epic. While the game does everything really well, I just found the story and, specifically, the acting of some of the characters (Naomi and Sunny) to be rather irritating. Compared to the sublime perfection of Metal Gear Solid 3, this game just needed a little more editing and a little less of the Japanese overacted melodrama. That being said, MGS4 is still one of the best PS3 games out there, gameplay-wise and should not be missed. A definite must-play.
Due to some poor life decisions, I find myself stranded for five weeks without any video games. What’s a guy to do, right? Well, rather than just giving you some of the headlines from the week’s video game news in lieu of what I was planning to be gameplay impressions, reviews, and the like, I’ve instead started a five week “All-Stars” feature. Each week we’re going to look at a video game era and spotlight my top three games from that era. Each of these games will also receive a place setting at the prestigious “Table of Honor” feature that I’m working on. Here’s the weekly plan:
Week 1: 8-bit Console Era
Week 2: 16-bit Console Era
Week 3: Post-16-bit Console Era, Pre-Current Generation
Week 4: Pre-Current Generation PC Games
Week 5: Current Generation
Yeah, the categories are broad, particularly weeks three and four, but it’s how I want to do them, so get off my back!
Wow, we’ve finally made it to the last week of my all-stars feature! Beginning back in November of 2005 with the launch of the Xbox 360, this generation has seen some of the biggest shifts and changes that the industry has ever seen. Again, starting with the 360, consoles finally began to be a match for the PC market with online matchmaking services rivaling the best on the PC drawing gamers to the consoles in droves, depleting the once very robust leader in innovation and technology’s user base. Not a group to sit on its haunches, Valve re-invigorated the PC market with its Steam platform, a release and matchmaking mechanism that has recently started to rival Xbox Live in terms of functionality.
The PS3 launched about a year after the 360, promising much, but struggling to deliver any worthwhile software for a full year after launch. Its online service also leaves much to be desired, with no cross-game integration to help it out, it pales in comparison to XBL, even though it is free.
The greatest shift in gaming has come from the revolutionary Nintendo Wii and the Big N’s “Blue Ocean” strategy. Nintendo, understandably weary of being in last place for the last two generations, decided to take their console in a totally different direction, emphasizing the casual through an accessible control mechanism, affordable system, and lighter gameplay fare. While their strategy has succeeded, selling out systems each and every month and given them a greater install base than the Xbox 360, even with a full year’s delay in launch dates, many a “hardcore” gamer feels like Nintendo has forgotten about them with their new strategy.
The brilliance of this strategy has caused many a developer shift as both Microsoft and Sony attempt to develop motion sensitive controls to mimic the Wii and the huge blockbuster game releases of last gen start to tone down some of their production values in favor of appealing to the mass market. Minigame compilations flood the market as countless companies try to tap into the previously unreachable markets. Most find failure as Nintendo continues to milk dollars out of the Nintendo DS and Wii, causing concern for third party developers on both systems.
While the music gaming phenomenon technically began last generation, both Harmonix and Activision have enjoyed unprecedented success with their Rock Band and Guitar Hero franchises. It seems that music gaming is one of the next big things, with Activision basically saturating the market with GH products and Harmonix releasing track packs every week to expand the already robust playlist of the party-friendly Rock Band.
Yes, the new generation has advanced gaming by leaps and bounds, with the 2007 holiday season being one of the best gaming history has seen in a long time, but the new generation has also drawn new lines; created new schisms. All of a sudden the terms “hardcore” and “casual” have divided a once unified user base. Nintendo’s radical decision to eschew high definition graphics in exchange for cost-effectiveness has split third party developers who now have to choose to develop for the HD systems or the system with the highest rate of ownership, but smallest attach rate (average number of games owned). Many claim that this will be a long one, unlike last generation, since Nintendo has proven that low-tech can still bring innovation and sales. All I know is that it’s still early and it’s still anyone’s ball game. The slow start of the PS3 is turning out to have been a slow boil while the 360 is looking like a flash in the pan as it peters out. Nintendo’s massive onslaught of sales still hasn’t even shown signs of slowing down, baffling everyone who said it was just a fad. I can’t wait to see how it all turns out when the dust settles, but until then, I’ve been enjoying some great games. Let’s take a look:
This first game revolutionized the gaming world last year by proving that a cohesive, well-thought out, well-written, but incredibly short game can top a robust 20 hour experience simply through the power of brilliant game-design, hilarious dialog, and a little bit of cake. Yeah, it’s Portal.
Many of you know the story of how Portal came to be developed at Valve, but for those of you who don’t, here goes:
Up in Washington there exists a game design school called DigiPen. Since Valve is a Washington-based company as well, they tend to send people to check out the work done by students to find potential new hires and ideas. Cue Narbacular Drop, a project by students that featured the portal jumping gameplay we know and love in Portal. The story goes that someone from Valve saw the brilliant idea, brought them over to Valve headquarters to show Gabe Newell, and Newell hired them all on the spot, which was a brilliant move on his part.
Portal is a shining beacon of game design because it does everything that it sets out to do perfectly. It’s just the right length, has just the right amount of humor, has just the right difficulty curve, etc. Valve takes forever to produce games, we all know this, but Portal proves that our patience is definitely worth something.
There’s not really much else to say about this brilliant game, it has to truly be experienced to be understood as the masterpiece that it really is. Go out and buy it, seriously…it’s only like $20 on Steam
Here’s the ending credits, complete with the super-famous “Still Alive.” DO NOT WATCH IF YOU HAVEN’T BEATEN THE GAME!
International “Still Alive”!:
My #2 game would actually make a better Indiana Jones movie than the abysmally stupid Kingdom of the Crystal Skull. It currently tops my most anxiously awaited sequel list based on the promise of another adventure with its hilarious and cool protagonist. Last clue: the PS3-exclusive company that produces these games seems to have an affinity for main characters sharing the same name that starts with ‘N’. These obscure hints may lead you to realize that I’m talking about Uncharted: Drake’s Fortune.
#2 Uncharted: Drake’s Fortune
I bet you didn’t realize that the best action movie of 2007 was actually a video game. Uncharted follows Nathan Drake, supposed descendant of Sir Francis Drake, as he searches for the hidden treasure of El Dorado throughout the South Pacific. Joined by his partner Sully and the requisite sassy reporter Elena (yet another example of a restrained female character design that is STILL cool despite not having huge knockers. Take that sophomoric game designers!) Drake faces off against a plethora of pirates and puzzles as he discovers the dastardly secret of Drake’s fortune.
It sounds pulp-y, but that’s the point. Uncharted is the first time I’ve ever played a video game and thought “Well, this could actually be a movie without very much changing about it at all.” Play it and you’ll get the same impression. Voice acting is superb, the story is pretty cool, there is very real chemistry between characters, and the game just looks beautiful. Along with MGS4, this is one to show off your HDTVs to your friends. (Quick MGS note: I haven’t beaten MGS4, so it’s not eligible for this list).
Gameplay is pretty simple and mostly revolves around third-person shooting coupled with a cover system a la Gears of War. This part does get a little old sometimes as enemies continue to spawn at some points, but it’s well-done enough to not be too tiring. There’s also some platforming tossed in as you explore ruins that feels very satisfying. In fact, a great deal about what makes Drake such a cool protagonist stems from the fluidity of his movements both in combat and exploration. The way that he jumps from ledge to ledge, stumbling as he lands gives you that all important “Yeah, I think I could do that” feeling that makes up a successful everyman protagonist.
If you’ve never even seen Uncharted before, go rent it or buy it or come over my house. I’ll let you try it out.
E3 2007 Trailer;
And now, the moment you’ve all been waiting for, my #1 game of the current generation. My choice may surprise you, but I think that at the end of the day, it has to be number one based on how much time I’ve put into it compared to any other game in my entire library. There’s no good way to hint at it, so I’ll come out and say that my top game of this current generation (so far) is Rock Band.
#1 Rock Band
Rock Band and I had a strangely hostile relationship when I first learned of it. Not being as well-versed in video game news as I am nowadays, back then I had no idea that the original developers of Guitar Hero II were behind RB, I just saw that someone else was trying to make a music game and that it was really, really expensive. As a fake-guitar player, I also didn’t quite see the allure of drums or vocals.
That all changed when I started to see footage of both games and learn about the pedigree of both series. Concerns began to crop up in my mind as GH3 coverage showed the game design to be stagnant, note charts a bit asinine and arbitrarily hard, and art style to be ridiculously ugly. This was also about the same time that I learned of the very ugly breakup between Harmonix and Red Octane and EA/MTV’s partnership with Harmonix. There was an immediate shift at that point where I realized that I was siding with the wrong company and antiquated game design. The music game future lied with Rock Band, its new digital distribution system, and four instruments.
As a quick aside, I actually actively hate Activision and the GH franchise over stupid stunts like this one. There’s no reason why they should have screwed over PS3 GH3 owners who just wanted to be able to use the same guitar peripherals over both games. No one needs as many plastic instruments as Activision is going to force upon us very soon…
Back to Rock Band: it’s yet another one of those casual games meant to open up the market. How does it do this? There’s the simple four-player multiplayer aspect that makes the most sense in this context. Gathering up four friends to play music on fake instruments has turned out to be a tremendously appealing concept. I can honestly only think of one or two of my friends who doesn’t enjoy Rock Band at all. Friends of mine who live thousands of miles away are excited to get some Rock Band in next month when they come to visit. It has that much draw, especially to people who typically don’t game at all, including older gamers (NOT my parents) and women. While being able to shred on expert isn’t about to impress any of the ladyfolk, it’s still a good game to bridge the gap between the gamer and game-hater, since most people who have never played video games can understand music within a few minutes.
The other real innovation in casual gaming is that Rock Band is not as ridiculously hard as Guitar Hero 3. Activision went the totally opposite direction, attempting to create a hardcore experience with note charts that made no sense, but were harder to play. Rock Band’s more intuitive note charts seem way easier by comparison, but they still provide tons of fun and, most importantly, they generally won’t fail an appropriately skilled player during multiplayer play, the main draw of the game. Yeah, Rock Band is a lot less fun solo than with friends (still way fun though), but it’s meant to be played with friends, not alone. I’ve spent countless hours with large groups of friends handing off the guitars, drum sticks, or microphone as we shredded the night away (and probably made our dormmates hate us…bwahaha).
Rock Band is, by and large, the only reason I turn on my Xbox anymore and it gets playtime at least once a week from me as they launch new tracks each and every week. As it introduces me to new, sweet music (Boston being my favorite discovery so far), it’s impossible for me to not rate this as the best thing to happen for me since I started gaming. I’ve always loved music and had some aptitude for it, but never really learned to play anything. RB gives me the freedom to love that music using a medium that is friendlier than actually picking up a guitar (although I do aspire to actually start playing at some point in the near future). Detractors will say, “Why don’t you just play real music?” I will say, “Because I love music, but don’t have the time or money to devote to learning a real instrument right now. Besides, this is fun for me and my friends, so stop being a jerk.”
At the end of the day, isn’t that what really matters with a video game? Aren’t we just supposed to be having fun?
“Margaritaville” Guitar and Drums:
“Rock and Roll Band” (one of my favorites!)
Another funny Rock Band-related PA comic.
And with that, I officially close out the Game Overview All-Stars feature on this blog. I’m sure you readers have pretty different opinions from me, so feel free to let me know what you think. I’m not planning on doing any runner-ups for this generation, but keep an eye out for game reviews in the future receiving the prestigious all-star award.
Remember guys, video games are all about fun. I spend a lot of time gaming, so it’s good to know that there are such fine specimens of gaming to make deep, lasting impressions on me. Keep it up game devs and I’ll keep picking up that controller.
Constant through all these years of transitioning video game consoles has been and always will be the PC games market. Despite all those cries of “The PC market is dead!” I’ll tell you one golden rule about the PC market: It will always exist for as long as people use PCs, which seems like it would be indefinitely, the way that technology is going. I will concede that the PC gaming market is not in its golden years like it once was. The reasons for this are many, including more powerful home consoles whose games look comparable to PC games, the advent of the laptop, and the general weakness of any non-gaming rig due to lame motherboard graphics processing power.
However, despite these issues, the PC has always managed to produce great games and it will always continue to do so for the foreseeable future, simply because the markets have not converged enough yet. In fact, the four PC games that I will be talking about in this generation are all mostly games that either just plain don’t work well on consoles or just plain control better on the PC.
One final note before we begin, X-COM: UFO Defense will not be appearing on my list, even though it’s a staple of top PC lists everywhere. The simple reason: I’ve never played it. Maybe one of these days it’ll be on Steam or something and I’ll get a chance, but for now I have no idea how it plays. Also on the never played list: Fallout and Baldur’s Gate. These games might be so awesome they replace what’s on my list, but I don’t know any better at this point.
The first game we’ll be looking at today is one of the most popular games in the entire world. This game is so popular that an entire country more or less enjoys it as a national past time, complete with comedy routines that revolve completely around mimicking in-game sounds. It’s the game that’s sweeping Seoul and supposedly getting a sequel this year, StarCraft.
I still remember the first time I tried to play StarCraft. Note that I said tried…
We ran a pretty pathetic rig back in those days. I’m sure it was decent at some point, but our 90 MHz (seriously!) junker couldn’t quite run anything! StarCraft installed and I even managed to get it to boot, but playing it…well it ran at a snail’s pace. I even remember trying to play it with my friend Tony over the Internet on our 14.4 modem (I know…). Needless to say, I never quite got around to beating StarCraft back then, but once we updated to a 1 GHz computer (holy cow! an order of magnitude better than our “100 MHz” machine!) I was finally able to experience Blizzard’s masterpiece.
Blizzard may have started their RTS days making Warcraft games, refining mechanics and storytelling ability with their Tolkien rip-off world, but they really came into their element once they took it into outer space. The single-player campaign tells the brilliant story of the Protoss, Terran, and Zerg as they all jockeyed for control of the known galaxy. Whether you were controlling Jim Raynor for the Terrans, working with the heretic Zeratul of the Protoss, or the converted Queen of Blades, Sarah Kerrigan, for the Zerg, you always felt like things were plenty cinematic (even though briefings were just talking heads) as the plot twisted and turned. As far as I’m concerned, StarCraft was really the only real original story that Blizzard was able to tell. Warcraft III borrows heavily from SC (come on…Arthas becoming Undead totally mirrors Kerrigan! Don’t even get me started on how the Protoss and Night Elves are nearly identical…), as it well should, since the betrayals and battles make for a very compelling storyline. Trust me when I say that the game that launched ten years ago was a masterpiece whose continuation I cannot wait to see later this year (hopefully!).
As far as gameplay goes, SC goes far beyond what most other RTS designers were doing at the time. Sure, most RTS games, Warcraft included, had multiple factions that the player could control, but rarely did these factions vary in essential gameplay concepts. They all had comparable infantry units or heavy units that had more or less identical firepower to each other. In fact, a lot of the time, the faction choices basically just represented which art style you preferred most and had little to no impact on gameplay. The three races in StarCraft absolutely bucked this trend. If you played as the Terrans you were required to play a fundamentally different game than the Protoss or Zerg were playing. The magic that made SC so special was that you basically had three games packed into one neat little package.
Even with these great innovations, everyone knows that SC has survived this long for one reason alone: competitive online play. Blizzard was wising up to Internet gaming not too long before SC’s launch, so it was no surprise that StarCraft launched fully capable of online competition via the awesomely free Battle.net matchmaking service. Sure, people had direct connected through phone lines to play RTS games before, but this was unprecedented. Now you could just log on and see who else in the country was on and just go up against their army. It took great study and care to actually be competitive in the online SC community, but B.net was a great idea by a company devoted to high quality releases.
I think the only thing I have to say to really make this sink in is that you can make a living in S. Korea just by being a professional StarCraft player. I rest my case.
Blizzard was also really great with cinematics, even way back in the day. Check out the opening to SC: Brood War:
The next game on the list has been a favorite of mine since I was in grade school. Granted, the version I will be featuring today is the latest iteration (beat the release of the current generation by about a month), but that’s only because the latest version has come back and shown us how truly amazing the series is. There’s nothing like a game that will have you awake at 0500 with the sun streaming through your windows as you tell yourself, “Damn, I gotta go to sleep…I’ll get on that after this next turn…” That’s right, I’m talking about Civilization IV.
#2 Sid Meier’s Civilization IV
If you’ve never played a game in the Civilization series, then you don’t know the meaning of gameplay addiction. I’ve played many games until ungodly hours of the morning, but the game series that has made for the most red-eyed, bleary mornings has got to be Civ. If it weren’t for Civilization IV, the best of the series would have been the sophomore outing, Civilization II. Not that III was no good, but it just kept too much the same while not making enough different and new, which is, I believe, why IV succeeded so well in the series. It took everything that was bogging down the Civilization series, gave it a quick boot to the head, and came at it from a new, amazing angle.
I have to give great credit to Soren Johnson for reinvigorating what some may have felt to be a stagnant series. Civilization IV benefits from the direction he took it, making multiplayer a focus, getting rid of corruption and civil disobedience, adding great people, removing infinite city sprawl (ICS!), and attempting to diversify combat. Sure, sometimes the game is still slow, you still see unit stacks of doom, despite siege weapon deterrence, and the occasional phalanx might do serious damage to a battleship, but once you start going in and messing around with your own custom governments, you’ll see what an improvement Civ IV is to its predecessors.
A relative rarity for these lists, Civ lacks any story whatsoever other than whatever narrative you happen to create as you play. At the end of the day, you’re fully in control of your empire and more or less in control of how the AI treats you. For example, I know for a fact that Gandhi is secretly a war-mongering bastard. I have experienced his nuclear fury (granted…it was in retaliation for nuking him first, but still…). I’ve also seen the great Julius Caesar reduced to groveling at my feet as my armies marched into Rome (always satisfying) and I cannot emphasize how much of an aggressive, back-stabbing asshole Montezuma is, but these things do not make a game story. Plenty of the games don’t even feature any of these leaders, if you choose them not to. It’s a testament to this game’s character that I am able to have such fond memories of battling AI for world dominance without anyone but my own computer controlling them.
I would tell you to go out right now and buy Civilization IV to experience utterly refined game design and fun, but I don’t want to be held liable for the drastic decline of the rest of your life as you sink countless hours into building up the mighty Persian empire. Just remember that I warned you about this when it’s now 0723 and you’re still saying “Once construction on this wonder completes I’ll save and go to bed.”
Here’s some video of diplomacy gone bad:
A GREAT trailer compilation:
My absolute favorite PC game in pre-current gen era is actually a bit of a surprise to me. If you would have told me before I ever booted up that wonderful piece of software that I would love a first-person shooter. It’s like someone opened the faucet of creativity and poured it on this wonderful game. If this game is still as awesome when it’s 50% depleted, it will still kick more ass than most games on the market today. My favorite PC game (really up to the current gen) of the generations preceding this one is Half-Life 2.
#1 Half-Life 2
Valve is used to revolutionizing the medium. Gordon Freeman’s first quest was game of the year when it launched and Half-Life 2 received similar acclaim. There’s just so much about the game that it just exudes perfection. From the moment the game opens and the G-Man deposits you on the train into City 17, Half-Life 2 just never stops. Every character has inherent life and realism in their actions, the voice acting is superb, and the story just flows so well.
I could ramble on and on about how awesome HL2 is, but instead I’m gonna focus on something that only a few other games in the ENTIRE history of gaming have ever done (Ico’s the only one I can think of, but be sure to add more if I forgot some), add a sidekick that you not only genuinely care about, but is also totally useful, lifelike, and, most importantly, not annoying.
Alyx Vance is, bar none, the greatest character ever created for a video game. Game designers create tons of NPCs, especially female ones. It is so easy to go the cheap route: plenty of T, plenty of A, but, from the get-go, Valve knew they were gonna do something else. Alyx is a pretty girl, mind you, but in a much more restrained, realistic way. She wears normal jeans and has no cleavage, which is, quite frankly, pretty rare in this business (see Naomi Hunter in MGS4 for a blatant example of the opposite). Even so, if you were to go to a Valve message board, you’d most definitely find tons of posters stating how much they love Alyx. How did Valve do that? Quite simply by paying attention to real human emotion and interaction and by hiring amazing voice talent.
Voiced by Merle Dandridge, Alyx is given more than enough life by her voice acting, the way she reacts to situations, the way she urges you forward, and the way she interacts with the other expertly characterized NPCs. When Alyx is scared, you can not only see it in her amazingly animated face, you hear it in her voice. It’s present in abundance, yet it’s also understated. It’s perfect, really. She truly is your companion on your journey (even more so in Episode One).
Half-Life 2 brought life back to PC gaming and the FPS genre for me in such a big way. Never in my wildest dreams as an RPG player would I have imagined that an epic, fun, and good story could be told in that context. It just goes to show you that a masterful game can exist in just about any genre, it just takes talent and like ten years of time and devotion.
Enjoy the haunting opening to HL2 that drew me in right from the get-go:
And that, my devoted readers, is that. Be sure to tune in later this weekend (it may be Sunday instead of Saturday) to see the runner-up for the PC category!