Kids are stupid. It’s really not their fault, how can they know anything about the important things in life without any real-life experience. Take my music-habits as a kid as a prime example. It’s not like I was listening to The Wiggles or anything so terrible, but among the real musical gems that I was listening to (The Beatles, The Rolling Stones) on Majic 102.7 (WMXJ) was some questionable material. Sure, Alvin & the Chipmunks singing country music (Urban Chipmunk, lovingly referred to as “a piece of shit” by Rolling Stone magazine), Bugs and Friends Sing the Beatles, and Kermit Unpigged may have featured music by legitimate artists or actual classics in their genres, but, did you notice that it’s all marketing trash?
That was what I spent most of my time listening to, laughing like an idiot and thinking they were the greatest thing ever. Little did I know that I was far closer to musical perfection than I realized by another way I wasted my time. Of course, I apply that phrase liberally, because we all know that spending hours playing video games certainly seems like a waste of time, but is 100% legit. The year was 199X and I was manning the controller to save the world from Dr. Wily’s Robot Masters as they threatened humanity in the year 200X. Did you know that, with an easy gap of a decade between when I last played Mega Man and back in January of this year I can still remember and point out tunes from that game? Wait, did Dan just go and say that the soundtrack to Mega Man 2 is equivalent to great rock music? Just roll with me on this one, I’m making a point (a correct one).
It’s been said that necessity breeds innovation and nowhere was necessity more evident than the 8-bit sound processors encased within the video game systems of old. Ok, it was more evident in the previous generation of sound processors, but I wasn’t alive then and I don’t really care. Necessity bred one of the most kickass soundtracks ever to grace the 8-bit era. Takashi Tateishi, Manami Matsumae, Yoshihiro Sakaguchi made the Nintendo sing. Sure, they’re not quite as iconic as the works of Koji Kondo or Nobuo Uematsu, but they were really catchy, hip, and cool tracks.
That spirit of innovation was a requirement during the days of the NES and SNES, but by the time the Playstation hit most developers had moved onto Red Book audio and if they weren’t shelling out for full orchestras they were using MIDI synthesizers and the like. The art of what would eventually come to be called chiptunes was no longer necessary. We were better for it, right?
Last year I remember listening to an episode of Retronauts and the subject of video game music came up. The hypothesis was posited that in-game music had actually declined in quality and had become somewhat same-y. Iconic tunes were a thing of the past. There are a lot of things that could really affect this, I mean, do we ever really think that new media we come across as better than what we discovered in the past? For most people the rose-colored glasses of nostalgia prevent new, quality media from being better than what we used to watch/listen to/read in our youth. Things just aren’t the same anymore. To tell you the truth, that argument doesn’t even really matter in the context of this post, so we’ll move on.
All I was trying to say is that we, the video game-consuming public, have strong feelings of nostalgia with respect to chiptunes. So much so that musicians began to voluntarily restrict themselves just to see what they could musically produce. The chiptunes scene was born, social networking allowed it to grow, and we’ve arrived at Anamanaguchi.
Let’s face it though, just how much can a genre of music that involves 8-bit chirps, bleeps, and bloops penetrate the mainstream? I love video games and video game music, so something that sounds like it is naturally going to be attractive to me. Anamanaguchi can’t get around the fact that there are 8-bit samples in their music, but what they can do is try to broaden their sound by adding in real drums, guitar and bass. It’s brilliant. Limiting yourself to 8-bit samples will keep the audience equally limited.
There are definitely two names mentioned far too often on this blog, but I’m going to still mention Leigh Alexander of Sexy Videogameland, Kotaku, and Gamasutra fame, because her SVGL and Kotaku articles are the ones that alerted me to this band rising in the Brooklyn indie music scene. Her article mentions that the band has been listed as an up-and-coming band and not just among other chiptunes (or bitpop) artists. They cite their influences as real rockers, not 8 Bit Weapon, and it shows.
Of course, it’s still on the awkward side to share with random individuals who you can’t be sure will jive with chippy music. I picked up the albums this weekend hot off of watching a video, but I balked at exposing my visiting friends to it and opted to play it quietly in the background, but all that did was let the occasional muddled chirp sound through. Definitely not what I wanted anyway, so I just put on some FOB when I got tired of quiet bitpop.
Once I had some privacy and the ability to listen in depth, I found a great punk sound that totally blew me away. There are two small albums available on Amazon.com: Dawn Metropolis and Power Supply EP, with the former being the more recent release. At their website, Anamanaguchi.com, you can listen to all of Dawn Metropolis and you can also check out an interpretive video that plays in the background of their shows at this site. The little videos show an interesting mini-epic that the music is trying to convey and are pretty cool and trippy.
The best tracks to check out on each album are:
Power Supply EP
- “Video Challenge”
- “Helix Nebula”
- “Air Base”
- “Jetpack Blues, Sunset Hues”
- “Tempest, Teamwork, Triumph (at Sea)”
There’s just a great sound to these discs and I think it would be a definite challenge to keep your toes from tapping to these beats.
Below are some videos, one of “Jetpack Blues, Sunset Hues” and another from Blip Festival 2007
Anamanaguchi – Jet Pack Blues, Sunset Hues from Dr. Limelight on Vimeo.
Anamanaguchi // Blip Festival 2007: The Videos from 2 Player Productions on Vimeo.